digital drawing means tested

zunino38494 April 18, 2023 Comment

While the digital possibilities are vast and very tempting, I still see advantages in the oldschool method of drawing on paper. Here is a list of pros and cons as I see it.

, you can even draw directly on the pressure sensitive screen (which also turns for maximum line control) and you have everything in one place.

Am I the only one who sometimes find myself searching for the “undo” button, when I’m drawing on paper? Granted, the so called “lucky accidents” that come from working with a pen or a brush can be a pro as well, but more often than not, you end up with plain old UNlucky accidents – and correcting is a lot easier to do digitally (and with nicer result).

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It seems for some artists, the possibilities of going digital also offers more speed and momentum to their work. They are simply able to get to a nice result faster. Used efficiently, digital saves you a ton of time.

In my experience, any task I take to the computer takes double the time. You can zoom in way too much and nitpick details. You’re working on a device that also has Facebook, Twitter and a gazillion other things running at the same time. I believe “PC” stands for “Procrastination Central”. And the speed of your work depends on the speed of your computer, your software, your file size and all sorts of other fun factors which you have little control over.

You can work digitally with just a computer and a Wacom tablet. But if you really want to go all in, with all the advantages a Cintiq has to offer, get ready to throw almost two thousand dollars on the table. Ouch! You better be sure you can make that money back. Remember though, that equipment you use for your business is usually tax deductable (depending on where you live).

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When has a piece of paper ever asked for an update, or asked for you to plug in the power cord? The reliability on hardware and software is slightly scary (at least for me) because those things can go flaky on you with no warning.

This is a big issue for me. I like being able to sit with a sketchbook or work out of the house for a day. If I had a digital setup, it would most likely be at my studio and too bulky to bring anywhere. However, Wacom has put out a 13.3″ Cintiq

That is really lightweight and portable – But you still need to hook it up to a computer to work on it.

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A piece of Bristol board doesn’t suddenly crash on you and leave you to have to reconstruct hours of work. Unless you spill coffee all over your original art, it will usually outlive any computer. And if you scan it in, you have a digital backup as well, a lot safer than having just one file.

Having drawn it all on the computer, you have no originals to sell at conventions or exhibit at your local library or whatever. Sure, you can make nice printouts, but that’s just not the same, is it? Note that this con could be a pro, since you don’t need storage space for your original art! You can put it all in your Dropbox or on a portable harddisk.

Given the price, low mobility and given the fact that I don’t have the time for the learning curve that going all digital will require (at least before the result is anywhere near what I can produce with pen and paper), I don’t see myself going digital anyt time soon. And I don’t like having to rely on power and technology to be able to make comics.

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What do you guys think? Are there any pros or cons I missed? And what do YOU use to make comics? Comment below!You can flip the canvas to check for errors, Ctrl + Z to undo missteps, and even alter the drawing with a variety of transform tools.

Below you’ll find a list of 12 tips to help you get the most out of your digital art program as a beginner. These tips were written with most digital art programs in mind. Whether you’re rocking Photoshop, Krita, Procreate, Gimp, Illustrator, or Clip Studio Paint, these tips should apply.

There are drawing tablets where you’re drawing directly on the screen, and drawing tablets wherein you’re only drawing on a surface while looking at the monitor.

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The more layers of pressure sensitivity a tablet has, the more you’ll be able to add nuance and subtlety to your work with ease.

Since this isn’t a post about which tablet you should get, you can spend some time doing research if you don’t have one already. The main point is that you’re going to want to use a tablet, and that it should have pressure sensitivity to augment your workflow.

Tools are the many little squares and menus that are designedly nestled in whatever program you happen to be using. Usually there are only a few you need to concern yourself with for the purposes of actually drawing and erasing.

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When you open your digital art program for the first few times, it pays to spend a good chunk of your energy exploring the tools. Seeing what hotkey activates them, what they do, and how they feel.

Mostly, you’ll likely be using a drawing tool, an erasing tool, a selection tool, and a move/transform tool. Those are the bread and butter of digital art, so make sure that you prioritize learning how those operate, as they’ll make your life as an artist much easier.

This one is ultimately about simplicity. Some artists have the tendency to spread themselves quite thin over a large array of brushes and tools. They hop onto the next one before ever growing comfortable with the previous one. It’s not the best strategy for learning, and certainly not the best strategy for gaining the consistent results necessary to hearten yourself to continue learning.

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So stick with the basic two or three the program offers. Or if you do download and add additional brushes/tools, pick one or two from that pack and stick with them. Make sure they’re very utilitarian and good for a variety of purposes, and not just for special-use cases.

Layers are one of the best reasons to go digital as an artist. They allow you the freedom to sketch, refine, and test.

Learning the layer menu in whatever are program you’re teaching yourself is crucial. Learn how to drag them around, turn them on an off, merge them, rearrange them, and so on. A mastery of the layer menu will allow you to augment your process, and make your workflows much more efficient.

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This one is pretty simple. If your fingers are constantly on that shortcut, you might be developing a dependency. That dependency on the “undo” function can harm your output, learning, and create crutches you’ll have to free yourself from later.

While it is a potent tool or making sure you don’t destroy your work, make sure you don’t get so addicted to it that you’re unable to finish your work. If you’re always trying to get the “perfect line” or being overly meticulous for the sake of perfection, you’ll advance slower than those who own their mistakes and fix them in other ways.

Draw circles. Elipses. Squares. Make congruent marks all across the page. Get a feel for drawing straight lines. All of these exercises help you to not only temper your drawing ability, but they’ll get you used to your digital medium. 15 minutes of focused exercises is all you need before you begin sketching.

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Get comfortable. Feel like you can be free inside of the program. It’s terribly hard to be overly-concerned with making mistakes, or just getting hung up in general.

Yes, the other side of the coin is making very sloppy work, but if you’re rushing things you can always slow down a bit.

The key here is balance. Sketch as much as you can, and make it a habit. Aim for 6 25-minute sketching sessions daily, with 5-10 minute breaks in between if you’re doing them consecutively.

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Save your work, of course (this is cmd or ctrl + S in most programs.) And when you’ve amassed 10-20 works, pick one or two to clean up. This means using the eraser to refine your lines. It means lowering the opacity on the sketch layer, making a layer above it, and trying to draw more accurately and clearly.

Make a mental note to work with a new, utilizable tool from your program every few days. Implement it into your sketching sessions or your process. It will ensure that you’re opening up new creative possibilities, as well as growing more proficient in your program of choice.

Sure, some tools aren’t very general-use, and only have a lot of special-case application. In that case, always pick a tool that has more purpose, and gradually work your way to the more specialized tools instead.